Bill Beckley

For Bill Beckley, a pioneer of Narrative Art, each work of art is conceived as a possibility to tell a story or, rather, a set of stories and thoughts, which then become something else, the work as such, which lives its own new story.

works

In primo piano

Hot and Cold Faucets with Drain, 1994, Cibachrome photograph, 156 x 361 cm

Kitchen, 1978, Cibachrome photographs, 280 x 203 cm, ed. 3

Cake Story, 1974, Cibachrome and black and white photographs, 152 x 102 cm, ed. 3

Derwish 11, Nasuhi, 2007, Cibachrome photograph, 196 x 122 cm

Dervish 10 Sunbuli, 2007, Cibachrome photograph, 195,5 x 121,9 cm

Heroin Trade for Those Who Have Died and Are Forgotten, 2005, Cibachrome photograph, 193 x 100 cm

Oh To Be Young, Carefree and Gay, Epilogue 1, 2006, c-print on Fuji film digital paper, 147 x 133 cm, ed. 3 + 2 AP, printed in 2022

A Drop of Water in the Breaking Gulf, 2005, c-print on Fuji film digital paper, 120 x 171 cm, ed. 3 + 2 AP, printed in 2022

Not that There's Anything Wrong with It, 2005, c-print on Fuji film digital paper, 195 x 92 cm, 2/2 AP, printed in 2022

Rendez-vous in Tienanmen Square-The Aftermath, 2004, Cibachrome photograph, 191 x 96 cm

Station 9, 2001, Cibachrome photograph, 205 x 110 cm

Soda Pop L-J, 2005, Cibachrome photograph, 233 x 31 cm

Neapolitan Holidays, 2019, C-print, printed on Fujiflex, mounted to Aludibond, 250 x 95,5 cm, ed. 3 + 1 AP

War, Artillery and a Few Questions, 2019, C-print, printed on Fujiflex, mounted on Aludibond, 95,5 x 250 cm, ed. 3 + 1 AP

War Zone One, My Darling Young Son, 2019, C-print, printed on Fujiflex, mounted on Aludibond, 95,5 x 250 cm, ed. 3 + 1 AP

Horse Thieves, 2019, C-print, printed on Fujiflex, mounted on Aludibond, 95,5 x 250 cm, ed. 3 + 1 AP

Bird Watching (Study), 2019, archival pigment ink and pencil on museum board, 102 x 81 cm

Dinner with Parmenides (Study), 2019, archival pigment ink and pencil on museum board, 102 x 81 cm

What about Virgil (Study), 2019, archival pigment ink and pencil on museum board, 102 x 81 cm

Gossip Girl (Study), 2019, archival pigment ink and pencil on museum board, 81 x 102 cm

video

Bill Beckley – Neapolitan Holidays
Italy, 2019, 4’
by NFI video

catalogue

Bill Beckley was born in Hamburg, Pennsylvania in 1946.
He has shown at the MoMA, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art (1979), Documenta in Kassel, Germany (1976), the Paris Biennale (1973) and the Venice Biennale (1975). His works are in permanent public and private collections in various parts of the world: the MoMA (New York), the Whitney Museum of American Art (New York), the Solomon R. Guggenheim Museum (New York), the Smithsonian American Art Museum (Washington D.C.), the Museum of Fine Arts (Boston), the Tate Modern (London), Victoria and Albert Museum (London), the Madre Museum (Naples), the Daimler-Benz Collection (Stuttgart), the Sammlung Hoffmann Collection (Berlin), the Morton Neumann Collection (Washington D.C.) and in the private collections of artists Jeff Koons and Sol LeWitt. He has received numerous awards such as the Pollock-Krasner Grant (1997), National Endowment of the Arts (1979), New York Council of the Arts (1973, 1976, 1986).
Bill Beckley has worked with the Studio Trisorio since 1986 where the following exhibitions have been presented: Gardens of Pompeii (1986), Sette virtù, sette peccati (1992), Bill Beckley (1998), Bill Beckley (2004), Bill Beckley. Selected Works 1974 – 2009 (2009), Bill Beckley, Elements of Romance. Works from the Seventies (2016), Neapolitan Holidays (2019).
Bill Beckley è nato ad Amburgo, in Pennsylvania nel 1946.
Ha esposto al MoMA, al Solomon R. Guggenheim Museum, al Whitney Museum of American Art (1979), a Documenta/Kassel (1976), alla Biennale di Parigi (1973), alla Biennale di Venezia (1975). Le sue opere sono nelle collezioni permanenti di istituzioni pubbliche e private in diverse parti del mondo: MoMA (New York), Whitney Museum of American Art (New York), Solomon R. Guggenheim Museum (New York), Smithsonian American Art Museum (Washington D.C.), Museum of Fine Arts (Boston), Tate Modern (Londra), Victoria and Albert Museum (Londra), Museo Madre (Napoli), Daimler-Benz Collection (Stoccarda), Sammlung Hoffmann Collection (Berlino), Morton Neumann Collection (Washington D.C.), collezioni private degli artisti Jeff Koons e Sol LeWitt. Ha ricevuto numerosi premi: Pollock-Krasner Grant (1997), National Endowment of the Arts (1979), New York Council of the Arts (1973, 1976, 1986).
Dal 1986 ha lavorato con lo Studio Trisorio, con cui ha realizzato le mostre: Gardens of Pompeii (1986), Sette virtù, sette peccati (1992), Bill Beckley (1998), Bill Beckley (2004), Bill Beckley. Selected Works 1974 – 2009 (2009), Bill Beckley, Elements of Romance. Works from the Seventies (2016), Neapolitan Holidays (2019).